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The portrayal of Chelsea herself is loose and relaxed, as if perpetually three drinks in, but it lacks Handler’s acidity. Like John Belushi when he removes his sunglasses near the end of The Blues Brothers, Handler can convey plenty of meaning through a single look, except Belushi’s gaze was puppyish and Handler’s is withering. She doesn’t show up nearly enough in the show, and one wishes 36 weren’t an age that Hollywood deems unfit for providing suitably youthful television.